At first glance, Cause of Death: Unknown by Ali Zarnegar، seems to tell a straightforward story: seven passengers caught in the stillness of a night journey. Yet beneath this simple surface lies a powerful and unsettling exploration of social prejudice and the machinery of “othering.” When the passengers swiftly assume that the unidentified corpse belongs to an Afghan, the assumption is not a casual remark—it becomes the mechanism by which they establish a sense of superiority and even justify taking the victim’s possessions. The implication is stark: because the body belongs to a migrant “other,” his life and belongings carry…
Author: Narges Samadi
Narges Samadi
Narges Samadi, born in Iran, is a former emergency physician with over twenty years of experience in Tehran. Following her immigration to Canada, she transitioned into the field of cinema studies, culminating in her recent graduation from the Cinema Studies specialist program at the University of Toronto. Currently, she is the founder of “Narges Cinema House” in Toronto, which serves as a venue for film screenings, education in film history, and the production of critical writings.
Sirât, the latest work by Oliver Laxe, presents a bifurcated narrative full of ruptures in meaning—a film that begins in realism but gradually shifts toward the surreal and allegorical. The first half is crafted in an observational, realist style: a simple father and his son wander through the desert in search of the missing daughter. The strong visual composition, authentic environmental details, and slow rhythm all contribute to an immersive sense of reality. However, from the very outset, the film signals its intention to deviate from a strictly linear, realist narrative. A bizarre desert gathering—a rave pulsating with electronic music…
TWO PIANOS, Directed by Arnaud Desplechin. Cast: Nadia Tereszkiewicz (Claude), Louis Garrel, Mathieu Amalric, Emmanuelle Devos, Charlotte Rampling (Elena, the master pianist) Two Pianos, the latest work by Arnaud Desplechin, is a romantic and melancholic drama, an exploration of suspended and wounded loves that never find peace. The story follows Claude (Nadia Tereszkiewicz) and her secret relationships with two close friends, Mathieu and Pierre. Unable to choose between them, Claude entangles both, and over time all three become victims of a passion that begins with intensity but gradually dissolves into jealousy, betrayal, and loss. Around this central triangle, Desplechin weaves…
“It Was Just an Accident,” Jafar Panahi’s Palme d’Or winner at Cannes 2025, delivers a masterful ending that will surely be remembered in the history of both Iranian and world cinema. This striking conclusion brilliantly masks the film’s shortcomings, making them feel almost irrelevant. Although the performances can seem uneven and the narrative unfolds through symbolic slogans set against sweeping desert landscapes, the film weaves in a distinctive humor—born from the irrational choices of characters bent on revenge during interrogations with uncertain identities. This interplay creates a compelling tension. The fragmented cuts and seemingly aimless storylines, which at first might…
The film “Sex” is the first part of a trilogy by Norwegian director Johan Haugerud, created last year. This film presents a different narrative on infidelity, a topic that has always been one of the fundamental challenges in human relationships. The story revolves around two male colleagues who continue their old job of cleaning chimney flues; a profession that takes on new meaning within the context of modern towers and apartments, illustrating the clash between tradition and modernity. The film focuses on the lives of two middle-class families; simple yet capable families engaged in respectful conversations about the boundaries of…