“Are there sharks in Germany?” asks a character in The Secret Agent, staring at the dreadful scars on an elderly Jewish tailor’s leg and torso.
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For Mother’s Day Throughout the history of cinema, the mother has never been merely a secondary or supporting character. She…
Jacqueline Rush Rivera: Anne-Marie, from where are you joining us today? Annemarie Jacir: Hi, it’s good to be with you. I’m joining you from Palestine. Jacqueline: We are honored that…
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About forty years ago—perhaps fewer—hardly anyone could have imagined that the final film of Pier Paolo Pasolini, the Italian poet,…
Ardeshir Farah’s music has always felt to me like a lived truth rather than a manufactured fusion. When we talk…
Secrecy Is the Bomb. Love Is Where It Goes Off. By Arameh Etemadi: When a secret comes to light, love…
Cannes 2026 is trying very hard to sell itself as a return to “serious cinema.” The question is simple, even…
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The Secret Agent
Last week, Sandra Lipski is the founder and director of the Evolution Mallorca International Film Festival, announced the winner of Cinema Without Borders’ Bridging the Borders Award at the closing…
Video Note
Video Notes is Cinema Without Borders Opinion Section, allowing filmmakers, critics and experts tell you about the world of filmmaking and art.
Jane Fonda and the Echo of Conscience
Hollywood, Protest, and the War on Iran:
In moments when history tilts toward violence, it searches, almost desperately, for voices strong enough to resist its momentum.

