The United States border is not just a geographic location. The border is everywhere. It lies within every undocumented immigrant family with the threat that at any moment they can be captured, incarcerated, deported; their lives destroyed. BORDERLAND | The Line Within not only exposes the profitable business of immigration and its human cost, but weaves together the stories of immigrant heroines and heroes resisting and showing a way forward, intent on building a movement in the shadow of the border industrial complex, recognizing the human rights of all.

To learn more about BORDERLAND | The Line Within, we had an interview with the director of the film Pamela Yates

The meaning of the title BORDERLAND | The Line Within is at the heart of the film. The border is not geographical line, but rather a vast border industrial complex entrenched in every corner of the U.S. It is inside each and every undocumented person because wherever they may be, the fear of being discovered and deported is looming, yet in the shadow of the border industrial complex, they are quietly creating networks and building power.

Paco de Onís and Pamela Yates – Producer and Director of BORDERLAND.
Paco is the Executive Director and Pamela is the co-founder of Skylight, a human rights media organization dedicated to strengthening social justice movements through cinematic storytelling and catalyzing collaborative networks of artists and activists. In many ways Borderland brings the saga of Skylight’s Guatemala trilogy–When the Mountains Tremble (1983), Granito (2011), and 500 Years (2017)–full circle back to the U.S. From the impact of U.S. foreign policy that backed brutal regimes leading to the root causes of migration, to the present situation of mass migration from Central America.

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Bijan (Hassan) Tehrani Founder and Editor in Chief of Cinema Without Borders, is a film director, writer, and a film critic, his first article appeared in a weekly film publication in Iran 45 years ago. Bijan founded Cinema Without Borders, an online publication dedicated to promotion of international cinema in the US and around the globe, eighteen years ago and still works as its editor in chief. Bijan is has also been a columnist and film critic for the Iranian monthly film related medias for 45 years and during the past 5 years he has been a permanent columnist and film reviewer for Film Emrooz (Film Today), a popular inranian monthly print film magazine. Bijan has won several awards in international film festivals and book fairs for his short films and children's books as well as for his services to the international cinema Bijan is a voter for the 82nd Golden Globe Awards

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