Browsing: Reviews

Adapted from Camilo Castelo Branco’s eponymous nineteenth-century Portuguese novel, it has the grace and leisurely pace of 18th and 19th…

Julie Bertuccelli’s (Since Otar Left, 2004) The Tree (adapted from Australian writer, Judy Pascoe’s 2002 novel Our Father Who Art…

As a collector of Tabloid’s for their corn-pone surrealism, I was thrilled to watch Errol’s ripping tale of Joyce McKinney,…

“Life, Above All” by South African filmmaker Oliver Schmitz (“Paris, je t’aime”) made the Academy short list as South Africa’s…

The War Crime trials at Nuremberg set the precedent, introduced a radical principle into international law. It defined the notion…

I loved the original Trilogy and stopped watching when Lucas continued the franchise. I knew George back in the day,…

The American Cinematheque screens the newly restored lost 60’s film “Summer Children”, photographed in a 1960s European-style by Academy Award®…

On Wednesday, March 23, 2011, the Costume Council of the Los Angeles County Museum of Art (LACMA) and Gilt Groupe…

Britta Wauer is an award winning Berlin based filmmaker with a number of noteworthy documentaries to her credit. These include…

Like Guillaume Canet’s “Tell No One,” first time feature director Giuseppe Capotondi’s “The Double Hour” successfully uses a refined Euro…