Palm Springs, CA – The 23rd Annual Palm Springs International Film Festival (PSIFF) announced this year’s award winners at a luncheon at Spencer’s Restaurant on Sunday, January 15, 2012. The Festival, held from January 5-16, 2012, screened 188 films from 73 countries, including 40 of the 63 foreign language entries for this year’s Academy Awards. Palm Springs’ increasingly popular Festival continues to expand its diverse programming of quality independent and foreign films, setting the stage for the year’s film festival circuit.
Festival Director Darryl Macdonald said, “This year’s line up encompassed a particularly satisfying blend of challenging but highly compelling works, more broadly accessible crowd pleasers and debut films distinguished by their distinctive storytelling craft and technical prowess. The audience balloting skewed more highly favorable across the board than in recent years, and our juries have made astute and well-reasoned choices in every instance. In summary, it’s been a very good year for the cinema, and a hugely rewarding year for all who worked on or participated in this labor of filmic love.”
Artistic Director Helen du Toit said, “The Palm Springs International Film Festival is all about building community. With a record numbers of filmmakers in attendance, audiences had a chance to connect with filmmakers around the world. PSIFF continues to be a discovery showcase for new talent as well as a vibrant platform for the best of international cinema. Mark Cousins’ 15 hour documentary The Story of Film: An Odyssey represented a rediscovery and re-invigoration of the art of filmmaking which had audiences enraptured.”
This year’s Festival attendees selected Starbuck (Canada) directed by Ken Scott, as the Mercedes-Benz Audience Award Best Narrative Feature. The past comes back with a vengeance in this Canadian comedy about a class action suit against prolific sperm donor David Wozniak, aka Starbuck. Twenty years after his successful moneymaking scheme, all David’s 142 children want to know is, “Who’s my Daddy?”
The runner-up film was Come As You Are (Belgium) directed by Geoffrey Enthoven. The other narrative films in alphabetical order include: The Flowers of War (China), If I Were You (Canada), In Darkness (Poland), Monsieur Lazhar (Canada), Salmon Fishing in the Yemen (UK), Simon and the Oaks (Sweden), A Simple Life (Hong Kong), Sonny Boy (Netherlands), War of the Buttons (France) and Wunderkinder (Germany).
The Girls in the Band (USA) directed by Judy Chaikin and Wish Me Away (USA) directed by Bobbi Birleffii and Beverly Kopf tied for the Audience Award Best Documentary Feature. The Girls in the Band is about the hidden history of women jazz musicians in this glorious celebration of some of our greatest musicians, period. Wish Me Away is the inspiring, award-winning documentary about courageous singer-songwriter Chely Wright, a devout Christian who also happens to be a lesbian.
The runner-up documentary films in alphabetical order include: First Position: A Ballet Documentary (USA), Follow Me: The Yoni Netanyahu Story (USA), Shakespeare High (USA), The Story of Film: An Odyssey (UK) and Vito (USA).
A special jury of international film critics reviewed 40 of the 63 official Foreign Language submissions to the Academy Awards screened at this year’s Festival to award the FIPRESCI Award for Best Foreign Language Film of the Year. The jury selected The Turin Horse, Hungary’s official entry for the Best Foreign Language Film Oscar, directed by Béla Tarr, “for the power of its austerity and radical commitment to its vision.” The film is an unforgettable end-of-days parable largely confined to an ascetic shack shared by an old man and his daughter as a terrible blight takes hold outside.
Matthias Schoenaerts received the FIPRESCI Award for Best Actor for his role in Bullhead (Belgium) directed by Michaël R. Roskam, “for his superb portrayal of an innocent and sensitive man trapped in a truculent body.” The ensemble female cast (Leila Hatami, Sareh Bayat and Sarina Farhadi) from A Separation (Iran) received the FIPRESCI Award for Best Actress, “for their naturalistic, powerful and fully interdependent portrayals of three women grappling with complex questions of guilt and morality.” The film is directed by Asghar Farhadi.
The 2012 FIPRESCI jury members were Mario Abbade from Almanaque Virtual, Correio Braziliense and Globo (Brazil) and President and Curator of the Rio de Janeiro Association of Film Critics; Nathan Lee, former film critic for the New York Times, Village Voice, and NPR, currently contributing editor of Film Comment magazine (US); and Boyd van Hoeij, critic for Variety, Winq (Netherlands), Mate (US/UK), Filmkrant (Netherlands) and Indiewire (US).
NEW VOICES/NEW VISIONS AWARD
The New Voices/New Visions competition includes ten new international talents making their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution. The jury selected The House (Slovak Republic) directed by Zuzana Liová. The winner receives a sculpture designed by famed glass artist Dale Chihuly.
The jury stated “Although the story told in The House is not a new one, we felt that the direction and performances took the film to the next level, and made us understand why a father may not be able to let go of his children, and also why they would want to leave. The motivations behind the characters felt real and made for a compelling film about a girl’s journey to adulthood.” The film is about contemporary Eastern Europe’s divisions – between generations, genders, economic strata, city and country – are given incisive treatment in this affecting family drama about an ambitious teen, her disowned elder sister and their dour, controlling father.
The films were juried by Jeff Lipsky, Co-Managing Executive Adopt Films; Paul Hudson, Co-Founder Outsider Films; Tom Quinn, Co-President The Weinstein Company/New Label. The winner will receive a Chihuly award and $60,000 Panavision camera rental package
THE JOHN SCHLESINGER AWARD
The Tiniest Place (Mexico), directed by Tatiana Huezo Sanchez, received The John Schlesinger Award, which is presented a first-time documentary filmmaker. The Tiniest Place is the heartbreaking yet hopeful story of Cinquera, a small town in rural El Salvador that was completely depopulated during the Civil War, as told by the survivors who have returned with astonishing resilience to rebuild their lives on their native soil. The winner receives the John Kennedy Statue (“The Entertainer”).
The films were judged by Mark Jonathan Harris, three-time Oscar-winning documentary director of Into the Arms of Strangers: Stories of the Kindertransport, The Long Way Home, and The Redwoods; Oliver Ike, director of theatrical and non-theatrical sales at Seventh Art Releasing; and Michael Lumpkin, Executive Director of the International Documentary Association (IDA).
Cinema Without Borders’ BRIDGING THE BORDERS AWARD
Terraferma (Italy), directed by Emanuele Crialese, received the HP Bridging the Borders Award presented by Cinema Without Borders and Hewlett Packard, which honors the film that is most successful in exemplifying art that promotes bringing the people of our world closer together. In Italy’s Best Foreign Language Film Oscar submission, an elderly Sicilian fisherman who rescues a boatload of African immigrants, must decide whether to do what the law demands or what he knows to be right. The prize includes an HP 8560w Elitebook Mobile Workstation with a built-in HP DreamColor display, valued at $4000 provided by HP.
The runner-up was Le Havre (Finland) directed by Aki Kaurismäki, Finland’s Best Foreign Language Film Oscar submission.
Photos by Maya Hooshivar, Cinema Without Borders’ Event Editor