Panama’s Abner Benaim’s sophomore narrative feature Plaza Catedral  is a dramatic thriller featuring actress Ilse Salas (The Good Girls, Güeros, Cantinflas) and Manolo Cardona (Narcos). Newcomer Fernando de Casta, who was chosen from over 250 kids who came in for open casting, is also amongst the principal cast. Benaim’s first narrative feature was the 2009 comedy Chance, but has since become a notable documentarian, with 2018’s Ruben Blades Is Not My Name won the Audience Award at the SXSW Film Festival in the 24 Beats Per Second category and was Panama’s submission for the 91st Academy Awards. Plaza Catedral is Benaim’s most ambitious film to date; with DP Lorenzo Hagerman (Escalante’s Heli, 2013), editor Soledad Salfate (of Sebastian Lelio’s A Fantastic Woman and Gloria) and music by Matthew Herbert (A Fantastic Woman, The Cave).

We had an interview with Abner Benaim’ about making of Plaza Catedral:

Plaza Catedral  is the story of Alicia, a young woman that had a “perfect life” and lost it. Her six year old son died in an accident. Her grief is plagued by guilt, which has made her disasso-ciate from society, from married life, and from herself.

She now lives in the Old Quarter of Panama, a rich colonial enclave surrounded by Panamá’s poorest neighborhoods. There she meets Chief, a street-smart 13 year old who takes care of cars in front of her apartment and insists on getting paid for his job. Alicia keeps a safe distance from him, until one night Chief arrives at Alicia’s apartment bleeding from a gunshot wound, and begs her to let him inside.

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Bijan (Hassan) Tehrani Founder and Editor in Chief of Cinema Without Borders, is a film director, writer, and a film critic, his first article appeared in a weekly film publication in Iran 45 years ago. Bijan founded Cinema Without Borders, an online publication dedicated to promotion of international cinema in the US and around the globe, eighteen years ago and still works as its editor in chief. Bijan is has also been a columnist and film critic for the Iranian monthly film related medias for 45 years and during the past 5 years he has been a permanent columnist and film reviewer for Film Emrooz (Film Today), a popular Iranian monthly print film magazine. Bijan has won several awards in international film festivals and book fairs for his short films and children's books as well as for his services to the international cinema. Bijan is a member of Iranian Film Writers Critics Society and International Federation of Film Critics (FIPRESCI). He is also an 82nd Golden Globe Awards voter.

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